Riecine

Words of Sean O'Callaghan

As we are all in the Chianti area, we’d have to forget the past of why we’re here with Chianti Classico in the Chianti area. I think we have to take it from here and go on. My advice to anybody making decisions in this area, they’re more political decisions than anything else, would be to throw the whole area into one and just make Chianti, because in America, or in England, or wherever you go, actually nobody really knows. They understand it as Chianti and not necessarily as Chianti Classico or Chianti Siena. I would just call the whole thing Chianti and then go to subzones. You’ll have Chianti from Loro Ciuffenna, Chianti from Gaiole, Chianti from Panzano, a Chianti from here. It’s a big area and you’d have much more marketing clout if everybody got together.

I’m sort of traditionalist with a foot in modernism, I suppose. It depends on what you call modernism. I’m taking winemaking probably more from a Burgundian art than from anywhere else. We’re at 500 meters, so I’m lucky to be able to have grapes with acidity when we’re picking, even in hot vintages like 2015. I’m just playing around with long macerations. If you call that modern, then that’s what I’m doing. I’m doing long macerations and adding whole bunches to the fermentation. That’s what they used to do hundreds of years ago. I suppose that’s modern now. I don’t know.

We’re looking at an area which is full of woods and olive groves. You don’t have a whole lot of contiguous areas, like you do elsewhere where you may get 20, 50, 60, 100 thousand hectares of vineyard all in one go. It’s all interspersed. The wonderful thing about Chianti is, if you go over a hill you’ve got a vineyard in a place which tastes totally different to the next hill.

We’re standing now at 480 to 500 meters. We have a vineyard at 700 meters up on a hill over there, here it’s limestone and clay. If you go 50 meters in that direction, it’s just limestone and galestro, which is a sandstone slate. Everything changes whether you go 100 meters or you go two kilometers. Unfortunately, two days ago we had a big thunderstorm and the next door village got totally destroyed. We’re fine so far. That’s what happens. In this area, everything is different. Each vineyard speaks for itself.

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About

Riecine can trace its wine growing history back to 1112 A.D. via local church archives as the land where the vineyards exist was owned by a monastery until the 20th century,

The modern history of the estate starts with Englishman John Dunkley, who purchased 1.5 hectares of land in 1971 from the nearby monastery, Badia a Coltibuono. The first vintage of Riecine Chianti Classico was released in 1975. Dunkley hired another Englishman, Sean O’Callaghan, in 1991. The vision of Dunkley and O’Callaghan was to focus on pure Sangiovese rather than the blending of Merlot and Cabernet Sauvignon, which is allowed under Chianti Classico DOCG rules. Dunkley stated, “When Baron Philippe de Rothschild plants Sangiovese, I’ll switch to Cabernet Sauvignon.”

Though Dunkley is no longer alive, O’Callaghan has continued the tradition of focusing on a unique Tuscan expression of Sangiovese. Riecine has eight distinct high altitude vineyards in Chianti Classico which are farmed using organic and biodynamic practices. The winemaking is artisanal, non-interventionist and in many ways traditional in its approach. Grapes are handpicked and then fermented using only natural yeasts.

Read more on GrapeCollective.com
Sean O'Callaghan, Riecine in Chianti Classico